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This book will give you many more new insights in the vast amount of primary and secondary source literature on the famous English artist William Hogarth.
In the last three centuries many books, exhibition catalogues, articles and scholarly essays have been written on William Hogarth, his work, his life and times and his literary relationships, but attempts at a bibliography have been rare and indeed imperfect.
This bibliography tries to avoid the drawbacks of the past and lists all printed matter which has come to the compiler's notice, from Hogarth's lifetime up to the present day.
It is intended for readers who are in need of quick references concerning a single work of art or writing by or on Hogarth, or a specific subject connected with Hogarth.
That Peter Wagner's (2010), raises the question whether Hogarth could have had connections with the paedophilic subculture of eighteenth-century London?
A novelty in Hogarth research, the study also contains a thorough formal analysis of the print.
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Its imagery, borrowed - ironically - from "high" art (e.g.
from works by Raphael, Dürer, Michelangelo, Correggio, Rubens, Rembrandt or Charles Le Brun), provides the key to a new understanding of the purpose behind Hogarth's taking single motifs from the works of highly reputed Old Masters and using them in new, topical, but often "low" contexts.